Discover and read the best of Twitter Threads about #fatamoru
Most recents (6)
a thread on the narrative relevance of the realm in fragment/the revenant’s dream (will contain spoilers ahead) #fatamoru 
both jacopo in door 3 and morgana through the whg in door 4 during their moments of weakness (as they are perceived to be dying) ask giselle and michel to stay with them by their side and to hold their hands, reflecting their inner wishes
this desire of wanting to hold each other’s hand is something that is present throughout all their lives, first being shown in the base game’s third door: the figures dancing hand in hand, in their own world, being a representation of what jacopo and morgana wanted for themselves
Despite the dynamics and parallels of the cast with each other being one of the main talking points in fata there's two specific characters that I never see being brought up together. So I wanted to share some of my thoughts about them #fata #fatamoru
Even though they have only a handful of interactions between each other in the entire series I believe they have some strong connections that is shown throughout it and how it ties to their main relationships in the story and the characters revolved around them.
Giselle and Jacopo work in being the main bridge to Michel and morgana respectively, while the similarities between Michel and morgana are very clear cut, Giselle and jacopo share some key aspects too, both in their characters and parts of their journey.
Even though there's a lot regarding morgana's conclusion in reincarnation, there is one aspect that surrounds it that made it my absolute favorite conclusion for her character compared to THIFM and requiem. So I'll make a more general thread about it #fata #fatamoru
Every ending for each game brings a conclusion to one aspect of her, in the OG game I believe it's regarding her identity and hatred. As repeated throughout the story morgana solidified herself as the witch of the mansion eternally cursing the 3 men.
However by intervention of michel and Giselle this is slowly undone and morgana, through the death of the WHG, is able to slowly let go of her hatred and curse. She still bears the scars of her past, however she tries to move on and maybe start a new life.
The way morgana's curse presents itself in d1-3 is very interesting and unique and lays bare a lot of the story's themes, but it also presents a rather different perspective compared to the 5th door, so I want to make a thread about it #fata #fatamoru
This thread will mostly be a follow up to this other one I made, but focusing in a difference in narrative within d1-3 and d5, so you should read that one to have a better understanding of this
As I previously talked about in my other thread, the story especially in d1-3 serves as a interesting criticism to each of the main characters of it and their lack of empathy, but this criticism of sorts runs deeper than just their actions within it
One of my favorite aspects of fata is how the characters are shaped by their surroundings and the people they interact with, so I wanted to make a thread about this theme and how its portrayed in d1-4 and why the end of d4 is my favorite twist ever #fata #fatamoru spoilers bellow
the story always portrays certain characters to be using a "mask" when taking and interacting with others, this theme of characters taking a different identity for themselves is very prevalent throughout the story, but it's used in a very interesting way in d1-4
One aspect that should be heavily taken in consideration about those doors is that they're affected by morgana's curse. Every minor detail is being manipulated and controlled by her and I believe this reflects on some of the story's major themes; the importance of communication
#fatamoru
Anyway, I finished The House in Fata Morgana. First of all, the plotting astounds me. Every single line has its own purpose that develops and influences the plot later down the line, melding together into a cohesive and emotionally impactful ending. It's an extremely
Anyway, I finished The House in Fata Morgana. First of all, the plotting astounds me. Every single line has its own purpose that develops and influences the plot later down the line, melding together into a cohesive and emotionally impactful ending. It's an extremely
consistent experience with breathtaking amounts of thought placed into every single piece of dialogue.
The topic of forgiveness and redemption is a pretty rocky one to handle, but Door 8 manages to deliver an extremely satisfying conclusion without it feeling contrived
The topic of forgiveness and redemption is a pretty rocky one to handle, but Door 8 manages to deliver an extremely satisfying conclusion without it feeling contrived
or preachy. I think Fata Morgana's pretty similar to Umineko in how they handle the perception of truth, but it manages to be its own distinct story with how it handles Morgana's character arc.
The few slice of life scenes, not the tragic or emotional ones, in Door 5 had me at
The few slice of life scenes, not the tragic or emotional ones, in Door 5 had me at
